Motorola announces Moto X (second gen) India pricing, starts at Rs 31,999
Motorola has listed the Moto X (second generation) at Rs xx,xxx.
NEW DELHI: Motorola India has announced the pricing of Moto X (second generation) in India. The smartphone will go on sale on e-commerce website Flipkart at midnight today at a starting price of Rs 31,999.
The wood finish and leather back panel versions of the phone have been priced at Rs 33,999.
The phone is available at $499 (nearly Rs 30,000) in the US. The Motorola Moto X sports a 5.2-inch full-HD (1080x1920p) AMOLED display. It features a curved metal frame.
Powered by a 2.5GHz Qualcomm Snapdragon 801 quad-core processor and 2GB RAM, the phone comes with 16GB internal storage. The phone is 9.9mm thick and weighs 144gram.
Moto X also runs Android 4.4 KitKat and comes with Motorola's own suite of apps.
It features a 13MP rear camera and a 2MP front-camera. The rear camera features a dual-LED ring flash and can record 4K video. It has a 2300mAh battery. In terms of connectivity, the phone supports 3G , Bluetooth 4.0 and GPS.
It is worth pointing out that the first-generation Moto X was launched at a starting price of Rs 23,999. However, the phone made its India debut more than six months of its US launch after receiving a major price cut (The unlocked version's price had dropped from $579 to $399). This time, the Moto X will be available just weeks after going on sale in the US.
Also, the second-generation Moto X sports hardware specifications comparable to high-end flagship phones like the HTC One (M8) and LG G3. It comes with a more premium form factor including a metal frame.
Pure style. Pure performance. The new #MotoX starts at Rs. 31,999. Available only @Flipkart at midnight tonight.
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IESA and TiE Bangalore Sign MoU to promote IoT Start-ups
The world has witnessed several revolutions and periods of innovation and rapid growth that have changed the world as we know it. Throughout the 1800’s the world witnessed the industrial revolution, and then in the late 1990’s we witnessed the IT boom.
Now the world is on the brink of another revolution that promises to transform the way we live. The concept behind ‘ Internet of Things ‘ is astounding and scary at the same time. Imagine a world where every device in the world is connected to the internet and can interact with the environment. We may soon complete our millennial transition from “ The Flintstones” era to “ The Jetsons” era, where everything is automated and a house can take care of itself.
With the aim of aiming of making the experience of Digital India come alive, IESA (India Electronics & Semiconductor Association), the trade body representing the Indian ESDM, Electronic System Design and Manufacturing industry has signed a Memorandum of Understanding with The Indus Entrepreneurs (TiE), Bangalore chapter to promote start-ups and entrepreneurs in fabless semiconductor and electronic products with initial focus on the IoT space.
The partnership will address challenges faced by entrepreneurs & businesses developing fabless semiconductor and electronic products
The Indus Entrepreneurs(TiE) is a not for profit network of entrepreneurs that was founded in 1992 in Silicon Valley by a group of successful entrepreneurs, corporate executives, and senior professionals with roots in the Indus region. There are currently 11,000 members in 60 chapters across 17 countries. TiE’s mission is to foster entrepreneurship globally through mentoring, networking, and education. Dedicated to the virtuous cycle of wealth creation and giving back to the community, their focus is on generating and nurturing our next generation of entrepreneurs.
TiE Bangalore Chapter was established in February 2000 to encourage and grow entrepreneurship in Karnataka. TiE Bangalore has over 125 Charter Members who are all accomplished and successful entrepreneurs and leaders and over 800 members who are either entrepreneurs or aspiring entrepreneurs. It conducts over 100 events, 25 workshops and 12 mentoring clinics in a year. It provides mentoring, education, access to funding, access to accelerators via networking opportunities and regular meet ups. Over 1000 entrepreneurs have been mentored and assisted by TiE Bangalore since its inception.
ESA is the premier trade body representing the Indian Electronic System Design and Manufacturing ESDM industry and has represented it since 2005. It has over 230 members – both domestic and multinational enterprises. IESA is committed towards building global awareness for the Indian ESDM industry and supporting its growth through focused initiatives in developing the ecosystem. This is through publishing credible data, networking events and alliances with other international associations. IESA works closely with the Government as a knowledge partner on the sector, both at the centre and at the state level.
According to Machina Research data cited at a TiE panel, the global market for IoT in 2020 will be worth about $373 billion in revenue, with $194 billion from hardware and $179 billion from software. India will account for $10-12 billion of this total revenue. IESA and TiE will actively promote the ecosystem with an aim to address the major challenges faced in current ecosystem: Design for Manufacturability (DFM), Testing and Interoperability and Standards and enable the success of the start-ups. They are looking to focus on three main verticals, Energy, logistics and public health.
Commenting on this initiative, Mr. Ashok Chandak, Chairman- IESA and Sr. Director NXP Semiconductors said, “IESA is pledged to make India an ESDM powerhouse and we believe that start-up initiative with focus on IoT will be very crucial step in this direction. Internet of Things (IoT) is a revolutionary phenomenon that offers incredible Innovation opportunities for entrepreneurs to connect the world like never before. We look forward to work with TiE to help overcome key challenges faced by the start-up communities and help realize the Make in India dream.”
Commenting on the alliance, Mr. Naganand Doraswamy, President, TiE-Bangalore said, “TiE is sworn to foster innovation through entrepreneurship nationally and globally. IoT has the power to transform entire segments of Industry like public health, precision farming, surveillance and logistics. Boosting emerging companies in the IoT space will be vital to the economic growth of the nation. We believe IoT is the next big thing and it will be integral part of every sector/mechanism in no time. We are happy to be working with IESA and will chart a roadmap together to make India empowered digitally.”
As a first step towards enabling the start-up ecosystem, the panel discussions themed “Smart Water, Smart power and the Internet: Public utilities for the city of tomorrow” had also been organized for the evening session. The panel discussion had industry thought leaders and experts’ deep dive into the important issues of growing urban world such as traffic, water and energy and discussions on how IoT can help resolve such problems for the city of tomorrow.
Stay tuned for more details and an in depth article about the panel discussion.
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“Let’s work for the world using your strength. The world is waiting for you.” – 20 quotes from Indian startup journeys
From success factors to competitive positioning, witness the memorable journey of Indian entrepreneurship in these excerpts and stories! StoryBites is a weekly feature fromYourStory, featuring notable quotable quotes in our articles of this past week (see last week’s post here)! Share these 20 gems and insights from the week of September 8-14 with your colleagues and networks, and check back to the original articles for more insights!
Diverse and inclusive cultures have greater productivity and higher customer satisfaction. – Alok Ohrie, Dell India
Risk is an uncertainty; an uncertainty is an unanswered question. So, in its simplest terms, running a business is just about answering questions. – Advitiya Sharma, Housing.com
The logistics space provides a great opportunity for entrepreneurs to build a high growth company with an innovative solution. – Padmaja Ruparel, IAN
Internet of Things has the power to transform entire segments of industry like public health, precision farming, surveillance and logistics. – Naganand Doraswamy, TiE-Bangalore
The customer care experience, which we had assumed would always suck, didn’t have to. And I could contribute to changing that. – Raveesh Bhalla, Haptik
Competition is always good. It keeps you on your toes, and there is always something that you can learn from other players. – ScoopWhoop
In India, people want to play games but face many problems which stop them from doing so regularly – can’t find places, can’t find partners, can’t find time, or it’s simply too difficult to organize. – Siddharth Pandey, Leh Leh
India has the potential to produce globally-relevant technology businesses. – Arun Samudrala, 6Degrees
There are too many fashion e-commerce sites, but none engage the user socially. –Nayan Kumar, VioletStreet
Over the years, the car buying market has turned from a seller’s market to a buyers’ market. – Vijay Kumar Reddy, FirstRide.in
I have a hunger to learn, want to figure out the problems in my own way, I might make mistakes, but those mistakes will make me better. It has. – Advitiya Sharma, Housing.com
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How Katiyabaaz is championing the plight of the ‘Powerless’
As far as vigilante superheroes go, Loha Singh is utterly unique. For starters he is real. He didn’t need to don mask and a cape and play a comic book inspired crusader whose heroics are aided with special effects. Every single day he endangers his life connecting wires with his bare hands so that the underprivileged bastions of Kanpur city can get access to electricity. When filmmakers Fahad Mustafa and Deepti Kakkar approached him to play himself in their documentary, he agreed even though he says, “I thought I will end up in jail for Katiyabbaz.”
Katiyabaaz is a documentary like no other. For one, it has an item number. Indie filmmakers Fahad Mustafa and Deepti Kakkar bootstrapped mightily to bring their vision to life and they are determined that the film will be seen by mainstream Bollywood audiences. The film revolves around the power crisis affecting Indian society- forty crore people live without electricity. But it is also a story with heart and soul. For that reason it is smashing through barriers of genres through Bollywood, entertaining while it educates and gives us a wonderful homegrown Robin Hood to cheer for in Loha Singh.
YourStory speaks to Fahad Mustafa about the challenges of bootstrapping a film, fusing fiction and reality to make a documentary that everyone will watch, why this particular issue is so close to his heart and the amazing reaction Katiyabaaz is getting from audiences all over the world.
What real life event sparked the idea for Katiyabaaz?
I was born in Kanpur but grew up outside the country. During that time the memories of the city stayed with me. If you have been to a small Indian city like Kanpur you see these wires dangerously crisscrossing over your head and you know there is a story going on there. Years later when I came back to India and visited it, I found hardly anything had changed. This was interesting because in between my trips, Delhi had changed drastically. But Kanpur remained in an inexplicable time warp. This was fascinating and initially the film was going to be about Kanpur. Electricity was simply a motif in the story. But during the creative process it took on a life of its own, a narrative device to which you could connect various things, and we decided to go with the flow.
How did you and Deepti Kakkar come to collaborate on this project?
Fahad Mustafa & Deepti Kakkar
Deepti and I have been together for the last ten years. She is from Ghaziabad and so closely identified with the theme of Katiyabaaz as well. We started making films together in Delhi when we were undergraduate students in St. Stephen’s college. Then we moved to Vienna, worked with the UN and were involved with many other things. But we kept making films together and founded a production company called Globalistan Films. So this has always been a joint passion for the both of us.
Loha Singh is such a unique protagonist. Was he an actor to begin with or did you rope him in for this film specifically?
No he is not an actor at all. He is what he does in the movie. He is a Katiyabaaz (In Hindi katiya means a wire. A katiyabaaz is someone who steals electricity through illegal wiring). We found him and he agreed to come in front of the camera and show us what he does and why he does it. He is a very intriguing fellow.
How did you secure funding for the film?
The initial seed money came from an award that we had won. Then we collected funds from nine different countries including Netherlands, Korea, Austria, Sweden and Canada. There were film grants that were available. We got into co-production with a US based company. The budget was around 1.5 crore and we cobbled it together somehow.
What were some of the biggest restraints in terms of budget and resources and how did you overcome them?
The big problem was always the budget. We wanted to make the film in a certain way. We wanted to involve the Indian audience deep within the film- have songs, interesting narrative devices, etc. The production values themselves involve a certain amount of investment.
The problem was that nobody in India wanted to fund a documentary, even when the subject is so critical to today’s society. We started the production and the budget kept growing. We kept chasing the money while we were making the film. There would be situations where we would get twenty thousand dollars from somewhere and realize that now we could rent a train. And then we had to finish shooting that within a week. So yes, the biggest challenge was balancing production with direction.
What all film festivals have you travelled with Katiyabaaz? What has the experience been like?
We started at the Berlin Film Festival in February 2013. Then we went to Tribeca, Rio de Janeiro, Melbourne, Dubai and Copenhagen. In fact, I was invited to be on the jury in Copenhagen. The experience has been phenomenal. We got great responses. The first time we screened, there were eighteen hundred people in the auditorium and they gave us a standing ovation. In Germany we were compared to some of the Oscar winning films of last year. Overall we are thrilled with the reaction we have received from the world over.
How far do you think Katiyabaaz has been successful in raising the critical awareness about the issues that it highlights?
It is heart-warming to see the discussion it is generating not only among the mainstream audiences but also among policy makers. Uttar Pradesh Chief Minister Akhilesh Yadav declared that every power corporation employee must see the film. In Maharashtra the Aurangabad Electricity Association is doing targeted screenings of the film in areas where electricity theft is the highest. There is a joint initiative between the Ford Foundation and the World Bank to do a lot of policy related screening and panel discussions of the movie around the world.
This is such a huge crisis that is affecting the country. Forty crore people are without electricity. What we discovered while making the film is that it is only during elections that people talk about this. Otherwise it is conveniently forgotten. It is about time that we, as a society and a political economy, took a step back and decided how we are going to address this issue. In terms of getting the conversation started and the dialogue going, Katiyabaaz has made a big difference.
How did you draw a line between fiction and reality while making the movie?
There is a very clear line between the two in the film. What is more relevant in terms of the narrative is truth and reality. The whole thing is real and presented as it happens. We have used fictional devices to enhance the emotive connect. Both fiction and documentary forms borrow from each other a lot, especially in recent times. We don’t see a big difference between the two forms. At the end of the day, it is what the best way to tell a story is.
Do you see the success of Katiyabaaz paving the way for more ventures like this where responsible film making and entertainment go hand in hand?
Absolutely. We hope that the theatrical release of Katitabaaz creates a market for films like this and not just lose out to content because certain films are marketed at certain audiences for only “entertainment”. We don’t even know what that means.
How did Vikram Aditya Motwane and Anurag Kashyap come on board?
We were screening for the industry in Mumbai and Vikram saw the film. He immediately jumped on board. It was amazing how someone like him committed to our film so quickly. Then we showed the film to Anurag. His father was with an electricity company at some point, so this was quite personal for him too.
So where does katiyabaaz Loha Singh go from here? Is he planning to branch out into acting with his new-found fame?
The sad reality of Loha Singh’s life is that not much is going to change. He is a product of a certain set of circumstances and unless those change for him, and millions of other people in Kanpur, he is going to go through life with a lot of frustration. We reach out to him whenever we can, but we cannot take responsibility of another person’s life. He was a celebrity to begin with in Kanpur, thanks to his electrical wizardry. Hopefully he can get out of that state in life someday.
You Need any soft-skills Training with placement just contact us
Contact number : 8904762432.
Website: www.moxiestars.com.
Facebook:https://www.facebook.com/moxiestarssolutions.
LinkedIn : Moxiestars.
Email: info@moxiestrars.com.
Hi guys If u like this post please leave a comment in comment box... comment box will top right of every post and bottom of every post. its useful for me give a better information.. check top of the blog there is menu bar in that go to comments i replied for u r comments because there is no direct option for reply for u r comments. if u want to give any suggestion in bottom of blog there is contact information option please leave a msgs with u r mail id sure i will get u.
How Katiyabaaz is championing the plight of the ‘Powerless’
As far as vigilante superheroes go, Loha Singh is utterly unique. For starters he is real. He didn’t need to don mask and a cape and play a comic book inspired crusader whose heroics are aided with special effects. Every single day he endangers his life connecting wires with his bare hands so that the underprivileged bastions of Kanpur city can get access to electricity. When filmmakers Fahad Mustafa and Deepti Kakkar approached him to play himself in their documentary, he agreed even though he says, “I thought I will end up in jail for Katiyabbaz.”
Katiyabaaz is a documentary like no other. For one, it has an item number. Indie filmmakers Fahad Mustafa and Deepti Kakkar bootstrapped mightily to bring their vision to life and they are determined that the film will be seen by mainstream Bollywood audiences. The film revolves around the power crisis affecting Indian society- forty crore people live without electricity. But it is also a story with heart and soul. For that reason it is smashing through barriers of genres through Bollywood, entertaining while it educates and gives us a wonderful homegrown Robin Hood to cheer for in Loha Singh.
YourStory speaks to Fahad Mustafa about the challenges of bootstrapping a film, fusing fiction and reality to make a documentary that everyone will watch, why this particular issue is so close to his heart and the amazing reaction Katiyabaaz is getting from audiences all over the world.
What real life event sparked the idea for Katiyabaaz?
I was born in Kanpur but grew up outside the country. During that time the memories of the city stayed with me. If you have been to a small Indian city like Kanpur you see these wires dangerously crisscrossing over your head and you know there is a story going on there. Years later when I came back to India and visited it, I found hardly anything had changed. This was interesting because in between my trips, Delhi had changed drastically. But Kanpur remained in an inexplicable time warp. This was fascinating and initially the film was going to be about Kanpur. Electricity was simply a motif in the story. But during the creative process it took on a life of its own, a narrative device to which you could connect various things, and we decided to go with the flow.
How did you and Deepti Kakkar come to collaborate on this project?
Fahad Mustafa & Deepti Kakkar
Deepti and I have been together for the last ten years. She is from Ghaziabad and so closely identified with the theme of Katiyabaaz as well. We started making films together in Delhi when we were undergraduate students in St. Stephen’s college. Then we moved to Vienna, worked with the UN and were involved with many other things. But we kept making films together and founded a production company called Globalistan Films. So this has always been a joint passion for the both of us.
Loha Singh is such a unique protagonist. Was he an actor to begin with or did you rope him in for this film specifically?
No he is not an actor at all. He is what he does in the movie. He is a Katiyabaaz (In Hindi katiya means a wire. A katiyabaaz is someone who steals electricity through illegal wiring). We found him and he agreed to come in front of the camera and show us what he does and why he does it. He is a very intriguing fellow.
How did you secure funding for the film?
The initial seed money came from an award that we had won. Then we collected funds from nine different countries including Netherlands, Korea, Austria, Sweden and Canada. There were film grants that were available. We got into co-production with a US based company. The budget was around 1.5 crore and we cobbled it together somehow.
What were some of the biggest restraints in terms of budget and resources and how did you overcome them?
The big problem was always the budget. We wanted to make the film in a certain way. We wanted to involve the Indian audience deep within the film- have songs, interesting narrative devices, etc. The production values themselves involve a certain amount of investment.
The problem was that nobody in India wanted to fund a documentary, even when the subject is so critical to today’s society. We started the production and the budget kept growing. We kept chasing the money while we were making the film. There would be situations where we would get twenty thousand dollars from somewhere and realize that now we could rent a train. And then we had to finish shooting that within a week. So yes, the biggest challenge was balancing production with direction.
What all film festivals have you travelled with Katiyabaaz? What has the experience been like?
We started at the Berlin Film Festival in February 2013. Then we went to Tribeca, Rio de Janeiro, Melbourne, Dubai and Copenhagen. In fact, I was invited to be on the jury in Copenhagen. The experience has been phenomenal. We got great responses. The first time we screened, there were eighteen hundred people in the auditorium and they gave us a standing ovation. In Germany we were compared to some of the Oscar winning films of last year. Overall we are thrilled with the reaction we have received from the world over.
How far do you think Katiyabaaz has been successful in raising the critical awareness about the issues that it highlights?
It is heart-warming to see the discussion it is generating not only among the mainstream audiences but also among policy makers. Uttar Pradesh Chief Minister Akhilesh Yadav declared that every power corporation employee must see the film. In Maharashtra the Aurangabad Electricity Association is doing targeted screenings of the film in areas where electricity theft is the highest. There is a joint initiative between the Ford Foundation and the World Bank to do a lot of policy related screening and panel discussions of the movie around the world.
This is such a huge crisis that is affecting the country. Forty crore people are without electricity. What we discovered while making the film is that it is only during elections that people talk about this. Otherwise it is conveniently forgotten. It is about time that we, as a society and a political economy, took a step back and decided how we are going to address this issue. In terms of getting the conversation started and the dialogue going, Katiyabaaz has made a big difference.
How did you draw a line between fiction and reality while making the movie?
There is a very clear line between the two in the film. What is more relevant in terms of the narrative is truth and reality. The whole thing is real and presented as it happens. We have used fictional devices to enhance the emotive connect. Both fiction and documentary forms borrow from each other a lot, especially in recent times. We don’t see a big difference between the two forms. At the end of the day, it is what the best way to tell a story is.
Do you see the success of Katiyabaaz paving the way for more ventures like this where responsible film making and entertainment go hand in hand?
Absolutely. We hope that the theatrical release of Katitabaaz creates a market for films like this and not just lose out to content because certain films are marketed at certain audiences for only “entertainment”. We don’t even know what that means.
How did Vikram Aditya Motwane and Anurag Kashyap come on board?
We were screening for the industry in Mumbai and Vikram saw the film. He immediately jumped on board. It was amazing how someone like him committed to our film so quickly. Then we showed the film to Anurag. His father was with an electricity company at some point, so this was quite personal for him too.
So where does katiyabaaz Loha Singh go from here? Is he planning to branch out into acting with his new-found fame?
The sad reality of Loha Singh’s life is that not much is going to change. He is a product of a certain set of circumstances and unless those change for him, and millions of other people in Kanpur, he is going to go through life with a lot of frustration. We reach out to him whenever we can, but we cannot take responsibility of another person’s life. He was a celebrity to begin with in Kanpur, thanks to his electrical wizardry. Hopefully he can get out of that state in life someday.
You Need any soft-skills Training with placement just contact us
Contact number : 8904762432.
Website: www.moxiestars.com.
Facebook:https://www.facebook.com/moxiestarssolutions.
LinkedIn : Moxiestars.
Email: info@moxiestrars.com.
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